She-Hulk: Attorney at Law S01E09: Whose Show is This?

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She-Hulk: Attorney at Law breaks the fourth wall to shreds to mixed results in the season finale.
by Jeremy Fogelman

The season finale of She-Hulk: Attorney at Law is called “Whose Show is This?” and completely decides to break from its chains entirely. The episode amusingly starts with its first significant fourth wall bleed with an extended reference to the old Incredible Hulk show that was pretty funny, but then immediately forgotten -- which is unfortunately the big issue with the finale.

I legitimately enjoyed the fourth wall explosion nonsense, which is classic stuff from the comics (they even had an actress play showrunner Jessica Gao while the real one was in the background). That was all fun even with the silly robot acronym “K.E.V.I.N” Matrix knockoff, and a lot of the back and forth meta stuff was cute -- the issue was how it ended.

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Jen correctly states that the final storyline of the big fight scene with Todd the “Hulk King” (which had been obvious for a while) was a pretty uninspired plotline, but that’s what the show has been setting up for seven episodes! The resolution that Jen simply wishes away the consequences of what she doesn’t want felt limp and dispiriting, because although it was amusing to hear her say that Matt should show up, the rest didn’t entirely track.

She says that the real villain is Todd and he should pay for his actions -- and that happens offscreen, I suppose? Same for what happened to Josh and the perfunctory nature of Emil going back to prison. Titania was 100% wasted entirely -- I guess she wasn’t erased by Jen at the end but was just there for some reason?

I understand that due to the fourth wall stuff logic isn’t entirely important, but I want some sort of consistency with either the rules the show establishes or the ideas the show wants to consider. There was a plot about the toxic dudes and their overreaction to non-white male superheroes, which is fine, but if we’re deleting the blood storyline, why spend so much time on it? It just feels like a lot of wasted time.

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So when Jen complains that “this can’t possibly be where the season is going”, fair enough -- but where was it going then? The idea seems to be that very light, cliched family picnic at the end of the show, which is that everything is back to normal -- except that Hulk shows up with his son “Skaar” (with not great CGI) and so everything isn’t back to normal?

Is the point of the show “screw you haters!” because if so, I’m pretty disappointed because the potential of a fourth wall breaking funny show was a really interesting idea to me. Instead I felt that the show cared very little about itself except as a tool to complain about online haters -- but they don’t really say anything interesting about that systemic toxicity or anything really innovative other than that they suck. Which is inarguable.

The end tag is similarly annoying -- the “jokes” about wi-fi and TV shows have already been made about Wong, including in this show already! The show ended up feeling very rushed overall, with a lot of “okay” moments and only two decent episodes that both were heavy on the cameos.

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I think that the show had a real uneven quality to it, perhaps more than any other of the Marvel shows so far -- none of its dramatic moments had any heft and the storylines were all other the place. When the MCU robot archly says that you could call it a legal comedy if you wanted, that’s because the show had presented it that way, so what should I have really expected?

Sadly the finale didn’t really save the show for me, as much as I liked the conceptual stuff behind the fourth wall break, the way it ended felt like coming down from a high into disappointment again. That has been the cycle for me watching She-Hulk and I really hoped for better than that.

She-Hulk: Attorney at Law S01E08: Ribbit and Rip It

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She-Hulk: Attorney at Law has its first great, if way too short episode.
by Jeremy Fogelman

The latest episode of She-Hulk: Attorney at Law is called “Ribbit and Rip It” and essentially handles the integration of Matt Murdock/Daredevil nearly seamlessly into this show. The episode starts with a complete trolling of the “twerk” haters by remixing that scene into a few seconds of a precursor, which is fine, I suppose -- I still think it was not very funny and a date joke, but I don’t mind the show trolling the worst parts of the audience.

The episode revolves around a new wannabe superhero calling himself “Leapfrog” but is actually the rich son of one of the evil law firm’s many major rich, terrible clients. His attempt at a cool catchphrase of “Ribbit and Rip It” isn’t so funny at first, but it’s very funny when he uses it later before jumping out a window and seriously injuring himself. Idiots seriously injuring themselves is always funny, as long as they don’t die.

It turns out his suit is allegedly defective, wanting to sue the manufacturer, who is obviously Luke Jacobson, the designer we’ve seen already because who else could it be? His character is really one of those “your mileage may vary” sorts of camp fashion designer types, meaning sometimes he’s funny and sometimes he sounds like what a writer thought a sassy fashion designer would say.

Here the main little courtroom scene is both fun and nonsensical -- Luke says “Your Honor, I’m not a fool” which is hard to imagine going over well, and apparently this hearing is taking place the same week (because the female lawyer gala is mentioned as being later in the week)? That’s extremely, unrealistically fast even for this show, and the whole “dude incriminates himself” has already happened on this show -- but the fun part is everything Matt Murdock does and how Jen quickly changes her perspective as the episode goes on.

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At first she’s annoyed by his capable legal tactics against her, but then they have a legit flirtatious moment where he seems to be the first to truly understand both of her sides (which makes sense considering his own secret identity). The episode also contrasts their real chemistry with the cheesy, cliched awfulness of rich jerk Todd who turns off Jen in seconds. The whole Todd thing feels like an obvious villain foreshadowing, but if it isn’t, he’s kinda a pointlessly annoying character, and if it is, it’s too obvious to be a surprise.

But the actual later fight between Daredevil and She-Hulk is pretty fun, even if Jen is certainly causing a lot of property damage (she throws someone’s car!) and only offers to “leave a note” afterward. In fairness comic book movies rarely consider such things, but considering Matt mentions it, it does strike a discordant note.

Happily, the chemistry between the two only escalates, with a pretty heated moment of him “listening” to her accelerated heartbeat. Jen actually breaks the fourth wall a lot in this episode, and I was glad to see it, except for the final meta moments of pondering the final segment twist, which felt a bit too meta, honestly.

The actual hookup between the two made a lot of sense, as did the cute walk of shame moments afterward. The episode also serves to set up a decent cliffhanger for the finale, with She-Hulk being portrayed as a sort of out of control monster, something that she’s been able to avoid since the first episode.

Whether or not they should’ve showed the actual revenge sex footage in the episode is up for debate, but it certainly served to make it quite understandable that Jen would “Hulk out” for the first time since she got the Hulk powers. It’s perhaps not a great sign that the two best episodes of the show had extended cameos (Daredevil and Wong), but this was also the first time that my issues with the episode were ignorable instead of making it all worse.

Still, it was an episode that felt too short, like they all have, which is a classic Disney+ problem -- things are too rushed and there’s way too much coming out at once. No wonder there are concerns about the Phase 4 MCU properties overall. There have been way too many things released. I’m just hoping the finale works better than the show’s been overall.

She-Hulk: Attorney at Law S01E07: The Retreat

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She-Hulk: Attorney at Law has another plot-less episode that at least offers some character movement.
by Jeremy Fogelman

The latest episode of She-Hulk: Attorney at Law is called “The Retreat” and has only one fourth wall break, which I have to say I appreciated. That one moment is when Jen triggers a “Previously On this guy” which was honestly helpful because I was pretty sure I recognized the dude, but I wasn’t sure about it.

The episode was mainly about Jen dealing with more of her issues with reconciling her “Just Jen'' and She-Hulk personas and how they are differently seen by people. After she hooks up with the heavily foreshadowed as sinister Josh, in what’s shown as such an obviously cliched cutesy rom-com montage that you know it couldn’t end well, he completely ghosts her. I suspected it was more than just a classic ghosting, but the episode only strongly hints at it until the final moments.

My favorite moment of the whole episode (which wasn’t particularly effective) was when Jen watches the classic Great Muppet Caper scene where Miss Piggy breaks out of jail in a kind of Hulk moment of her own. But that thematic connection isn’t really thought out past the little reference.

Jen ends up going to check on Emil Blonsky due to a request of his parole officer, but then due to plot contrivances, has to stick around longer and see some of his vaguely cultish self-help retreat. We get a bunch of new low-rate enhanced types, including Man-Bull, El Águila, “Saracen”, and Porcupine, all super deep cut references. There were a lot of jokey asides here, but the only thing I felt was close to a decent joke was El Águila admitting he’d done some “light matadoring” in college. It’s a pretty cliched template for that punchline, but it was cute.

Her reconciliation with an apologetic Wrecking Crew dude that previously had attacked her to get her blood was a bit odd, because he seemed to be legitimately helpful. Has she forgotten that they were using Asgardian items? It seems a weird oversight to just ignore that the dude must be connected to whoever is targeting her.

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The actual revelations about Jen realizing her issues with wanting validation for her non-Hulk self were nice, if not really new exactly -- she’s wrestled with it for multiple episodes. I suppose it was a nice moment to get validation from the group of oddballs, even if they are mostly broadly drawn nonsense characters. It’s even odder that the show doesn’t seem to have a handle on the more serious moments balancing the absolutely absurd ones -- in fairness that is a tough line to tread, even if this show is certainly attempting to pull that balance off.

At this point in the season there’s a lot of teasing of things like that Daredevil reference and him showing up in the midseason trailer, which now is beginning to feel like a trolling maneuver. The way they used Blonsky here was interesting, I suppose, but him playing a new age guru feels a waste for the potential of his character, which seemed like going at an interestingly weird angle earlier this season.

For me Jen’s lack of interesting fourth wall breaks makes my interest lessen, and the fact that the Wong moments stood up more than the ones without him didn’t doesn’t really bode that well for the show as a whole. At this point I don’t really know how serious I’m even supposed to take anything on this show, and it’s only a sort of light confection, sometimes a bit sour -- not the worst Disney+ show (which is still Falcon and the Winter Soldier) but it’s easily the second from the bottom because I just don’t know what it’s about. I suppose we’ll see if that improves in the final episodes.

She-Hulk: Attorney at Law S01E06: Just Jen

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‘She-Hulk: Attorney at Law’ sneaks in a plotline while jettisoning another one.
by Jeremy Fogelman

The latest episode of She-Hulk: Attorney at Law is called “Just Jen” and splits its storylines into one that’s indeed about Jen’s identity issues and one that only eventually connects to her. She (in the sadly one fourth wall break this episode) tells us it’s a “wedding episode” and that it’s intentionally inconvenient (debatable).

She’s brought in as a bridesmaid to someone she barely knows in a way that’s loosely explained even in the episode to Lulu (Patti Harrison). Jen keeps getting the worst of things, being first unable to look cool as She-Hulk because it draws attention away from the bride, getting annoying menial tasks while the other bridesmaids do nothing, and be assigned to walk down the aisle with a dog.

I was wondering if this would actually go anywhere, but it doesn’t really -- Jen gets drunk, flirts with seemingly decent dude Josh, and ends up in a stupid fight with Titania. At the start of their interaction, I was more intrigued when Titania gives Jen a fun hateful look, but the whole “I’m going to destroy you in public” by just fighting her... It makes no real sense for someone who seems like a plotter.

So Titania as a villain is thrown aside, crying over her veneers to hide her British teeth (even though she’s never used her real accent) and I have to say: What a waste of a character and an actor! I mean perhaps we’ll get more from her later in the season, but I have been very displeased with the arc of the Titania/She-Hulk rivalry -- really ended with a whimper, and not a very funny one, that little fight between them was meh and it was very slapstick (she trips on ice to break her teeth!).

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In the other more interesting storyline, we get Nikki and Mallory working together in a pairing that really works well. Their legal case, the multiple divorces of Craig Hollis (or “Mr. Immortal”, a bit of a Marvel comics deep cut) where there actually are some interesting ideas about what could go wrong with someone who can’t die but uses “legal death” for legal loopholes.

That’s not really investigated much as the real point is to have a bunch of broad jokes about the couples and how “nice guy” Hollis isn’t so great after all, which isn’t such an interesting subject to focus on. More interesting is how Nikki is able to resolve the multiple divorcees and their various issues with Hollis, leading Mallory to compliment her on how she managed it.

It’s one of the only times Nikki has gotten more to do other than the “sidekick” so I was glad to see that part at least. Then the two go into a sketchy alt-right anti-woman sort of site where they uncover a lot of what appears to be legitimate death threats against She-Hulk (or as Nikki says, Shulky which I found amusing).

It definitely serves as a pretty good prediction of many of the overreactions from that crowd that ended up complaining about before the season came out, but of course, my complaints about this show aren’t that it stars women or anything so crude, but that it feels like the show is way too light and inconsistent.

The episode was entertaining enough, I suppose, but I really disliked how they ended up utilizing Titania and the underlying theme about Jen’s identity crisis disappeared like they forgot about it. Disappointing from that perspective. I wanted more fourth wall breaking and more from the Mallory/Nikki pair -- that’s a show I’m suddenly interested in (just like the Wong/Madisynn spinoff).

The preview for next week presents things a bit more weird and interesting than this week, so I’m hoping things improve -- I know this show has the potential, even if I haven't seen it meeting that potential so far.

She-Hulk: Attorney at Law S01E05: Mean, Green, and Straight Poured into These Jeans

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‘She-Hulk: Attorney at Law’ goes light in an episode that teases more interesting episodes to follow.
by Jeremy Fogelman

The fifth episode of She-Hulk: Attorney at Law is called ‘Mean, Green, and Straight Poured into These Jeans’ and really only has two specific slightly connected storylines. In the main storyline, we follow directly from the last episode where Jen is being sued by Titania who has trademarked the name “She-Hulk” and everything gets easily wrapped up with a little bit of a callback to the dating scenes from last episode.

It’s still weird to hear Jameela Jamil use an American accent instead of her real one, but it’s also just mainly annoying that she’s essentially barely utilized here except for a couple of great little lines and well-considered physical actions. Of course, although there is continuity in this show, the legal stuff is highly suspect -- which I suppose isn’t necessarily a problem given the comedic bent of this show, but a lot of times the timeline feels weirdly rushed. I mean how long has it been since the last episode? Since the first episode? It’s all intentionally vague.

There are some funny moments from Jen’s boss and her interactions with the clearly more capable lawyer Mallory Book (Renée Elise Goldsberry) who was shown briefly in episode two and obviously had to come back for a more substantial role. She’s doing another sort of “highly competent intimidating lady” figure similar to her character in Girls5Eva which is an interesting sort of type casting to be found in.

The ultimate little trick of Jen bringing back the few dates she had as She-Hulk to verify she’s used the name was a nice little idea, if again legally suspect. I did laugh at Nikki saying, “Jen, that’ll be embarrassing” -- the cliched ways the men spoke on the stand less so, despite them completely lying of course. The ultimate point seems to be from Mallory, that Jen shouldn’t have to settle for these four specific men and deserves better (hint hint).

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This rapidfire legal battle leads into the other plotline, which is Nikki and Pug trying to track down a superhero clothier. They have a fun rapport, enough so that my complaints about Ginger Gonzaga being underused except for the “quirky POC best friend” role feels even more true now. One of the little standout moments was the set of the Avengers bootleg stuff, with cute knockoff designs in “Avongers” or “Avingers” designs (the details on the fake Avengers was fun).

They come across another sort of cliched character, the flamboyant and mean clothing designer Luke (Griffin Matthews), but the actor gives the material more depth than the writing really does. Ultimately this ends with a complete tease, where not only don’t we see her outfits, but then we see the newly designed helmet of Daredevil, who I guess is also using this exclusive costume designer.

It’s one of those “running in place” sorts of episodes, which only barely moves anything forward in terms of character or plot, but at least does spend time with some interesting side characters that have been given short shrift until now. I wouldn’t say that the episode is bad, per se, just not really as fun as the last one or really what I was hoping for this show. Hopefully the addition of Daredevil into the show will give it a new burst of energy -- and maybe more interesting fourth wall stuff, which really wasn’t there much this time around.

She-Hulk: Attorney at Law S01E04: Is This Not Real Magic?

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She-Hulk: Attorney at Law combines fun and frustrating storylines in a still mostly entertaining episode.
by Jeremy Fogelman

The latest episode of She-Hulk: Attorney at Law is called “Is This Not Real Magic?” and it marks when we must officially realize that logic is no longer relevant for this show. In the end of the last episode, Wong is informed he’s broken US law and immediately runs away, in what was admittedly a funny beat. Here though he tries to sue someone entirely in a civil court, but there’s no real continuity other than the fact that Wong is simply aware that Jen is a lawyer.

We start here with a seemingly “normal” stage magician named Donny Blaze (Rhys Coiro) who has a classic low effort magic act, even referencing “the great Billy Shakes” which I thought was a funny line to make him look worse. But then in the twist, Donny actually does know how to use magic and creates a portal that sends drunken party girl Madisynn (a pitch perfect Patty Guggenheim) into a demonic hellscape.

Madisynn’s lubricated matter-of-fact slurring is one of the main consistent sorts of comedy this episode, like asking what happened to the goblins or referencing a demon named Jake. I can imagine that her shouting out “Wongers” in glee or spoiling The Sopranos (are we past the point of no spoilers now 15 years after it ended?) will rub some people the wrong way (or the Wong way if I’m getting into the spirit of the humor of this show) but I thought she was the first broadly written character so far on the show that didn’t annoy me.

The idea of Wong suing to prevent unlicensed people from using magic is an interesting idea, certainly, although this show is so ridiculously light that it doesn’t really think about it past the just minimal surface level. Jen is correct with her fourth wall break that I do look more fondly on the show when Wong is in it.

I also enjoyed Donny’s hype man friend, who didn’t really have much else to do but be funny in that way. The action scene later with She-Hulk and Wong fighting off demons is fun enough for what it was, but nothing particularly amazing.

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However what really frustrated me was the entire dating subplot -- it starts with Jen somehow getting no matches on her dating app which really strains credulity. Then we only see a cliched bad date that I’m sure has happened to many people before, but it’s nothing new in pop culture so it mainly feels like hammering the point home.

The idea of Jen trying dating as She-Hulk feels like something that should’ve had a little more thought, like maybe if she had had a lot of bad dates or bad matches, or maybe if the dudes kept referencing her superhero form. Instead we get a few additionally cliched bad dates, which again, I’m sure have happened to many women, but then we get the even more cliched “good guy” date.

This pediatric oncologist (helping kid cancer patients, of course) drops the “I don’t want to talk about myself, let’s talk about you” line. It really did feel like a line and a manipulation that Jen (or the show) should be able to understand. Instead it lightly again touches on the idea that the dude is playing a game when he immediately leaves in the morning upon seeing the regular Jen (which should imply that it was all an act, but the show doesn’t bother to think about it that deeply).

It’s overall a mixed episode to me because of these different storylines, with both pretty silly, but one that I at least found sometimes funny and mostly entertaining. The dating stuff was more broad than I’d prefer to see or at least less nuanced than I think the show should be capable of -- in fact I’d prefer more fourth wall breaks, because that at least keeps shaking things up. A real mixed bag of a season so far.

She-Hulk: Attorney at Law S01E03: The People v. Emil Blonsky

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She-Hulk: Attorney at Law brings us all back to the Wong Cinematic Universe.
by Jeremy Fogelman

The latest episode of She-Hulk: Attorney at Law essentially continues from where the last one left off, with Blonsky telling Jen that he only ended up in that Shang-Chi fighting arena because Wong forced him to. This is one of the parts of the episode that absolutely made no sense given Wong’s characterization thus far.

During the later trial, Wong says he let Blonsky out because as the Sorcerer Supreme he needs to practice against challenging opponents and even offered the dude asylum. None of this fits with his no-nonsense, pragmatic and competent persona we’ve seen thus far, and why would he offer the Abomination asylum anyway? It really makes no sense. The only part I was even a little okay with is him immediately portaling away after the parole board tells him he just admitted to a bunch of criminal activities. I was wondering if that meant he’d be let off the hook, and he so far completely has been.

In the realm of “oh you’re doing this now?” we get a tiny look at a colleague played by Renée Elise Goldsberry, who I sure hope they got for more than the three seconds they used her for in this episode. There’s also a subplot of Cliché Sexist Dude getting catfished by an Asgardian shapeshifter pretending to be Megan Thee Stallion, who appears as herself and then “twerks” with Jen at the end of the episode in a moment of extreme cringe.

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The actual trial is a bit silly, with the elf Runa actually pretending to be the judge, which easily could put her in prison but they brush it aside, and then getting someone on the stand to say that Dennis truly is deluded enough to think Megan Thee Stallion would be dating him. All that stuff and especially the “Hollywood Hookups” moment is a little broad, honestly, a kind of comedy that didn’t really work for me even if the idea of prosecuting a shapeshifter is kind of an intriguing idea for a legal show.

The parole board hearing is fun enough, with Tim Roth really putting some relish into his absurd role and his love of his seven soulmates. The fourth wall breaks continue here to a lesser extent, with Jen calling out the “cameo every week” nature of it by saying it actually isn’t that at all. The only “action” part here is the mysterious strangers trying to steal Jen’s blood, a classic overarching mystery that I think could be interesting.

I am a neverending fan of Wong played by the “real Benedict” Benedict Wong, and his performance is always a lot of fun, I just felt like they gave him really illogical motivations here. But I know there’s still more to be done with his character and I don’t mind him getting more a center stage here even if that also serves to minimize the rest of the characters.

I was hoping that the parole hearing would be a little bit more complex than mostly “Wong will be here soon, I hope” because this is theoretically a lawyer show. I guess I’m just still kinda disappointed by how this show has gone so far, which hasn’t really gone past “okay” for me yet.

I’m entertained by it just fine, I just know that the Marvel folks are capable of more than that.

She-Hulk: Attorney at Law S01E01: A Normal Amount of Rage

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She-Hulk: Attorney at Law starts off in a fun if pretty messy way for the first Marvel sitcom.
by Jeremy Fogelman

She-Hulk: Attorney at Law starts with the episode called “A Normal Amount of Rage” and includes constant fourth wall breaking and meta-commentary by the main character Jennifer Walkers (Tatiana Maslany), who literally talks to the camera about being in a TV show and the nature of the genre. The first episode starts where it begins, a typical sort of wrapping narrative conceit.

We first hear words about the obligation of those with power and the nature of consequences if you have it. After that we are introduced to two supporting players, fellow lawyer and clichéd awful chauvinist Dennis (Drew Matthews) and paralegal and Jen’s best friend Nikki (Ginger Gonzaga). Neither of these characters gets much other than the thinnest of characterization, as Dennis is the classic “A women lawyer? Please” type who assuredly exists in real life, while Nikki is the classic “best friend” character and that is entirely it for her character -- except that Ginger Gonzaga is a great comedic performer and thus is severely underutilized here.

The mini-arc of this premiere is how Jen is starting to realize that perhaps she and her new Hulk side (with the on-set She-Hulk reference played by 6’5" Malia Arrayah) must coexist in a way. We find out that the origin of her new Hulk powers is a pure accident -- she was on a road trip with cousin Bruce and his blood accidentally gets “mixed up” with hers. He is bleeding due to a powers inhibitor and apparently she gets Hulkified due to the mysterious powers of this blood, I suppose.

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After that they have a series of scenes about Bruce helping Jen get more acclimated, but she’s already different, not for any reason that they know about, but it’s true that their exposure happened quite differently. She doesn’t have the alter ego of the Hulk at all and is easily acclimating to the new powers, but she doesn’t really want to stay that way. Bruce’s perspective is the whole “great power, great responsibility” angle that they have to help protect the world, but Jen prefers her legal approach to it (smaller scale, less chance of breaking buildings, I would imagine).

This leads to a pretty quick escalation to a fight between them which is fun if oddly rushed, both in how it started and how it ends. There are a few unsubtle lines about her being different because she’s a woman, and a few “your mileage may vary” lines about Bing Bong, and Captain America being a virgin. That part is tied into the end tag, where Bruce, annoyed, corrects his cousin that Steve did indeed lose his virginity during his USO tour, which makes perfect sense and has long been suspected and debated upon.

It doesn’t really bother me one way or another, but I was a little annoyed by the weird, blatant Cheetos inclusion. The rapport between Bruce and Jen is mostly decent, at least at an actor level, but there was definitely a lot of unfunny lines and there was a weird thing I noticed where Mark Ruffalo’s dubbed Hulk voice sounded a bit off. He didn’t have that issue as a human, nor does Tatiana Masliany as her Hulk form, so perhaps it’ll be fixed in the release version.

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After all that, we arrive back in the courtroom where human Jen prepares to deliver a “lawyer show” to us with another fourth wall break. Then suddenly someone attacks -- we later find out it’s Titania, played by Jameela Jamil without a British accent for some reason (I can’t imagine why, but maybe it’ll be explained later). After a quick, awkwardly filmed fight scene, we close to credits and get that “amusing if not funny” end tag.

It’s all a very setup heavy sort of episode, and it’s fun if not particularly great. I was able to see the first four episodes in advance, so I do have some thoughts about the upcoming ones that I can’t speak on yet, but I can say I found them mixed too. But comedy is pretty subjective and Tatiana Maslany is a winning personality, so I wouldn’t be surprised if other people liked this episode more than I did. Not like I hated it, just a little underwhelmed.